Balanchine
SFB Scene
Wednesday, April 8th, 2009 | SFB Scene | No Comments
Whether or not the Company is on stage, 455 is buzzing with activity, so we’re starting a weekly post with some highlights of what’s happening! Check back each week for more behind-the-scenes tidbits.
- Even though there are still two performances left of Program 6, the Company is already busy rehearsing the works for Programs 7 and 8. Yan Godovskiy is currently in the studio staging the SF Ballet premiere of Alexei Ratmansky’s Russian Seasons, and will be joined by Ratmansky on April 11. Also, Elyse Borne from the Balanchine Trust is rehearsing George Balanchine’s Jewels.
- If you’re want to read more about the work Godovskiy and Borne are doing, check out Ballet Master Ricardo Bustamante’s latest SF Gate blog entry about the process of taking a ballet from the studio to the stage.
- If you haven’t seen Program 6 yet, join San Francisco Ballet’s ENCORE! for their second Pas de Trois event Thursday, April 9. Tickets include a pre-performance reception with sushi and wine, and a ticket to the final performance of Program 6.
From Sandpaper to Sweeney Todd
Friday, March 27th, 2009 | All Posts by Katita Waldo, SFB Scene | No Comments
I’ve had a long break which has given my body a chance to rest; I wasn’t in Swan Lake and danced Sandpaper Ballet in Program 5, which was a blast. Now I’m very refreshed and eager to be working; we have started rehearsing Stravinsky Violin Concerto, Within the Golden Hour, and West Side Story Suite, all of which I’m in. I also have the added duty of being a ballet master (along with Anita Paciotti) for Within the Golden Hour and for the corps de ballet in Stravinsky Violin Concerto.
Bart Cook from the Balanchine Trust arrives today and hopefully, will be pleased with the work I’ve managed to do. I’m very proud of the dancers; they’ve gotten it together very quickly in a short amount of time. I was very nervous to go into West Side Story Suite rehearsals since I haven’t done any singing since we performed it last year. I guess the itch was scratched. However, about a week ago, I started singing to the Dixie Chicks and Sweeney Todd in the car, just to get ready. I was lazy and didn’t do any of my vocal exercises, yet the first couple of rehearsals have shown my voice improved over last year. I have no idea why that is but I’m very glad!
SF BALLET ON THE WEB
Recent Posts
BROWSE TOPICS
- All Posts by Ben Stewart
- All Posts by Bruce Sansom
- All Posts by Charlene Cohen
- All Posts by Charles Chip Mc Neal
- All Posts by Christina Hecht
- All Posts by Dores Andre
- All Posts by Elana Altman
- All Posts by Emily Pitcher
- All Posts by Erica Rose Jeffrey
- All Posts by Evan Wagoner-Lynch
- All Posts by Frances Chung
- All Posts by James Sofranko
- All Posts by Jane Green
- All Posts by Jordan Hammond
- All Posts by Julianne Kepley
- All Posts by Julie Begley
- All Posts by Katita Waldo
- All Posts by Kip Winger
- All Posts by Laurie Sharp
- All Posts by Lily Rogers
- All Posts by Luke Willis
- All Posts by Matt Naughtin
- All Posts by Matt Stewart
- All Posts by Open Studio 455
- All Posts by Pascal Molat
- All Posts by Quinn Wharton
- All Posts by Robert Russo
- All Posts by Shannon Roberts
- All Posts by Stacey Blakeman
- All Posts by Valerie Megas
- All Posts by Victoria Andujar
- Behind the Scenes
- Perpetual Motion: SFB on Tour
- Pic of the Week
- SFB Scene
- Uncategorized

