La Dolce Vita!

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Opening Night Gala is NEXT WEEK!  Hard to believe that we are almost there!  As Gala Chair, I am humbled, impressed, and overwhelmed by the generosity of my fellow San Franciscans–and SF Ballet lovers from around the Bay and the world–THANK YOU!!  Last month we kicked-off the run-up to Gala with the super-fun Launch Party at Brooks Brothers. And last week we also honored our Patrons with a gorgeous cocktail reception at the spectacular home of Christina Giguere and David Kvarats.

McCall’s graciously catered the festive and fun evening and offered tasty treats that played off of our “Bella Notte” theme. The rooms were filled with joyful and excited SF Ballet supporters chatting about the upcoming season and enjoying the food, ambiance, and delicious William Hill Estate Wines and La Marca Prosecco!

On the scene at both the Launch and Patron parties was the ever-charming and fabulous SF Ballet Soloist Garen Scribner. Click here to hear more from Garen about what Gala means to the artists of the Company!

After the Gala performance we look forward to the Post Performance Party, La Dolce Vita! We like to think that it’s the best party in San Francisco. This event is unique among our wonderful cultural institutions because the Company dancers join the party and let loose with all of us after the performance. Rubbing elbows with our spectacular dancers on the dance floor is, for many people, a favorite aspect of this entire evening!

This year, we have something even more special planned…Corps de Ballet Dancer Sebastian Vinet (“DJ Conchita”) will be featured as a guest DJ.  We are all excited to check him out! The Post Performance Party is a great way to experience the glamour and excitement of the evening–come join us!

 

 

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Onegin: From the Stage Wings

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As SF Ballet’s Technical Director, I’ve been overseeing the logistics and coordination for Onegin for over a year now!  The ballet is a rental production from the National Ballet of Canada, which means we’ve been working together to coordinate the contracts and shipment for everything involving the production. All of these details – from the sets to the costume fittings and shipments – need to happen in time for setup so we can have it ready for opening.

It’s also my job to figure out how to properly transfer the show from National Ballet of Canada’s  theater (The Four Seasons Center) and ensure the production fits well into the War Memorial Opera House. I have to make decisions as to where the scenery will land on stage, and make sure we stay true to the production by maintaining the same relationship that it had on stage in Canada, as well.

The most challenging part about this for us is that our stage is much bigger than what the ballet was originally set on; we’ve had to figure out how to land the show in our space. NBC has 4 wings in which dancers enter and exit through; we have 5 wings. The dancers will definitely have more room here!

Currently I’m putting together the production schedule – working closely with the artistic team to confirm the amount of time on stage required for rehearsals with tech. My team and I also need a specific allotment of time with crews to set up scenes and lighting and then to “tech the show” (walk through the show from beginning to end.) This also involves practicing scenic moves, checking the lighting cues, etc. prior to dancers being on stage.

What’s tricky about this timing is that Onegin happens after our Gala; therefore we have to setup all of Onegin, make sure it’s ready, changeover into Gala, and then we have only 24 hours after Gala to get back into Onegin with the dancers on stage!

Photo © Erik Tomasson

 

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Christmas Eve at the Theater

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The holiday season is a time of year full of many traditions for many different people, and a tradition that I have carried out for years is a Christmas Eve spent at the theater.  This year was no exception, and I was once again amazed at the thoughtful gifts and holiday cheer that was spread throughout the entire day.  While seeing Nutcracker may be a Holiday tradition for some of you, I thought I would share some of our holiday traditions that happen backstage!

Somehow through the grind of two shows a day we all find time to still enjoy the holiday spirit to the fullest.  I was lucky to have a day off right before Christmas Eve, which allowed me to get all of those last minute gift preparations finished.

This year I made homemade body scrub and cookies:

The morning of Christmas Eve started on a good note from the very beginning when I opened up my dressing room door to find so many thoughtful, amazing gifts at my spot!

We continued the holiday spirit in my dressing room with Christmas music as we all got ready for 9 am class and for the first show at 11 am.

The festivities continued throughout the day with a potluck and secret santa gift exchange in between the first and second shows. We dancers also pull out some tricks during the performances on this special day, but you’ll have to come see those for yourself!

As a dancer I’ve always cherished the close community that quickly and easily grows within the theater walls. There are countless intimate moments onstage as well as offstage that I will always remember, and this year’s Christmas Eve will certainly fall into that category.

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Countdown to Gala!

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In addition to the “main event,” the Auxiliary Gala Team creates three other events prior to Opening Night Gala, as well as the beloved Post Performance Party.  The first of these satellite events is the Launch Party, chaired this year by Stephanie Russell. The party, which was held on December 5, was hosted by Brooks Brothers in their gorgeous store on Post Street. Brooks Brothers Store Assistant Manager Connie Dizon-Nunez along with the great staff of Peter, Pam, George, and Alta, couldn’t have been more gracious.

 As I noted in my remarks at the party, while we are still working hard (managing budgets, selling tickets, planning a million logistics), the Launch Party marks a turning point in the process.  It’s really the first time that we take a moment to gather SF Ballet supporters and those who have worked so hard on behalf of the Ballet to celebrate our progress and to thank all involved.  Brooks Brothers created a fun and festive evening, with holiday music played by a jazz band, delicious food, and a really cool Holiday Spritzer cocktail with Grey Goose vodka and a “holly like” garnish of mint and cranberries that looked as good as it tasted!  Brooks Brothers also provided a generous discount to SF Ballet supporters and a percentage of proceeds from the evening was donated to the Ballet.  Highlights of the evening included chatting with Robert Oren from the BB line extension Black Fleece, and the fabulous SF Ballet dancers, including Garen Scribner and Maria Kochetkova, who joined the fun.

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